Another band from the geographic school of rock, Detroit comprised the leftover scraps of a deliciously meaty blue-eyed rhythm and blues outfit known as Mitch Ryder and the Detroit Wheels. The energetic yet short-lived quintet scored big with a handful of hits, including “Jenny Take a Ride” and “Devil with a Blue Dress On/Good Golly Miss Molly.” Detroit, first released in 1971 on the Paramount label, represented a reunion of sorts, Ryder having split to pursue a solo career in the late ‘60s. The album is essentially a continuation of the soul-influenced, blues-based rock first established by the original incarnation of the band upon its formation in 1965. “Let it Rock” and “Box of Old Roses,” two piano-heavy cuts, pay tribute to the early days of rock, the former borrowing liberally from Chuck Berry’s “Johnny B. Goode.” The songs become more contemporary sounding with “Long Neck Goose,” a Ryder original, and two well-chosen cover songs: The Velvet Underground’s “Rock 'n' Roll” and “Gimme Shelter” by the Rolling Stones (included here as a bonus track). An effective if not overwhelming debut record, Detroit would mark the beginning of the end for this Midwestern ensemble; Ryder temporarily retired from music due to throat problems, effectively putting this Motor City vehicle in park for good.
Tuesday, July 29, 2008
Detroit
Another band from the geographic school of rock, Detroit comprised the leftover scraps of a deliciously meaty blue-eyed rhythm and blues outfit known as Mitch Ryder and the Detroit Wheels. The energetic yet short-lived quintet scored big with a handful of hits, including “Jenny Take a Ride” and “Devil with a Blue Dress On/Good Golly Miss Molly.” Detroit, first released in 1971 on the Paramount label, represented a reunion of sorts, Ryder having split to pursue a solo career in the late ‘60s. The album is essentially a continuation of the soul-influenced, blues-based rock first established by the original incarnation of the band upon its formation in 1965. “Let it Rock” and “Box of Old Roses,” two piano-heavy cuts, pay tribute to the early days of rock, the former borrowing liberally from Chuck Berry’s “Johnny B. Goode.” The songs become more contemporary sounding with “Long Neck Goose,” a Ryder original, and two well-chosen cover songs: The Velvet Underground’s “Rock 'n' Roll” and “Gimme Shelter” by the Rolling Stones (included here as a bonus track). An effective if not overwhelming debut record, Detroit would mark the beginning of the end for this Midwestern ensemble; Ryder temporarily retired from music due to throat problems, effectively putting this Motor City vehicle in park for good.
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