It was about 20 years ago when someone first took a look at my cd collection and uttered those infamous few words: "You own every record I'd never buy." I wasn't sure that was true at the time, but now I'm positive: I do, in fact, own every record you'd never buy. I'll prove it. My mission: To participate in the musical equivalent of an archeological dig; to unearth the most obscure rock artifacts of the '70s; to create rock and roll's ultimate lost and found.
Thursday, July 14, 2011
Tonton Macoute
According to Haitian Creole mythology, Tonton Macoute is a boogeyman, an urban legend used to scare children. This centuries-old myth became a reality in 1959, however, when Haitian dictator Francois Duvalier created a paramilitary outfit called the Militia of National Security Volunteers, also known as Tonton Macoutes. Instead of frightening misbehaving youths, these Tonton Macoutes terrorized a nation. What does all this have to do with an early ‘70s British jazz-rock ensemble? Well, outside of a shared name, not much. In fact, Tonton Macoute’s self-titled debut, first released in 1971 on the short-lived Neon label, is anything but scary. A largely instrumental collection of jazz-styled prog-rock, this seven-song lp features plenty of horn breaks—the saxophone is particularly prevalent—and the Holy Trinity of progressive-influenced hard rock: Multiple time changes, complex rhythmic patterns and extended song structures. Sadly, the band's challenging, more complicated numbers--"Don't Make Me Cry," "Just Like a Stone" and "Flying South in Winter" among them--failed to find an audience and the group dissolved within a year. The label followed suit; Neon Records shut its doors in 1972. Notes: Here is an audio-only YouTube clip of “Don’t Make Me Cry” by Tonton Macoute: http://www.youtube.com/watch?v=3IuZGwBts78.
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Rock and Roll Archivist
This project is the result of hearing the Eagles' "Hotel California" one too many times. Or maybe it was "Evil Ways" or "Black Magic Woman" by Santana. Or anything by the Steve Miller Band. The "I-Own-Every-Record-You'd-Never-Buy" CD Consumer's Guide is the ongoing search to locate what you don't hear on classic rock radio. Some of what you'll find here is great. Some of it is downright awful. All of it sits on my shelf, an ever-expanding collection of the most obscure rarities of the 1970s. Welcome to my nightmare.
2011: Year in Review
Here is an alphabetical listing of The "I-Own-Every-Record-You'd-Never-Buy" CD Consumer's Guide top three best reviewed albums of 2011.
The Dukes
"... a catchy if not entirely hip platter of late ‘70s-era pop rock"
Isotope
"Armed with a serious set of musical chops..."
The Yellow Payges ● Volume 1
"... an impressive mix of heavy garage rock and mellow psychedelic pop"
2010: Year in Review
Here is an alphabetical listing of The "I-Own-Every-Record-You'd-Never-Buy" CD Consumer's Guide's top five best reviewed albums of 2010.
In the Realm of Asgærd
"... progressive-tinged hard rock, a fanciful record..."
The Alan Bown!
"... worthy of its emphatic punctuation mark"
Morly Grey ● The Only Truth
"... delivers an electrifying brand of psychedelic hard rock"
Paladin
"... effective melting pot of progressive hard rock"
The Unspoken Word
"... an excellent ensemble of riff-based psychedelic hard rock"
2009: Year in Review
Here is an alphabetical listing of The "I-Own-Every-Record-You'd-Never-Buy" CD Consumer's Guide's top five best reviewed albums of 2009.
Blue Mountain Eagle
"... a superb... collection"
Fuzzy Duck
"... an intense, smoldering collection of early ‘70s British progressive hard rock"
Goodthunder
"... an album full of great surprises"
National Head Band ● Albert 1
"... one of the more creative efforts from the decade’s art-rock archives"
Parish Hall
"... one of the... grittier platters of '70s-era hard rock"
2008: Year in Review
Here is an alphabetical listing of The "I-Own-Every-Record-You'd-Never-Buy" CD Consumer's Guide's top five best reviewed albums of 2008.
Demian
"... a fantastic collection of turn-of-the-decade hard rock"
Dust
"... admired for both its obscure collectable status and its psychedelic heaviness"
Satisfaction
"... the playing is tight and the songwriting impressive"
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